Obnoxious twenty-somethings. A cabin in the woods. Lots (and I mean LOTS) of political rants about war and soldiers. A quick story about an escaped soldier/convict. Escaped soldier/convict appears for little reason and kills people. Escaped soldier/convict suddenly repents his sins. The End.
Yup, nice, short and simple and sums up American Weapon (aka Blood Shed) perfectly. I just wish someone had done this for me to save me from having to watch this awful film. Well, at least I've saved you from having to watch it now, which is something. I guess.
6 kids are sent to a camp for delinquents to try and cure them of their unruly behaviour. Unfortunately a batch of tainted meat ends up on the dinner plates of the camp's sadistic guards, turning them into salivating monsters with a taste for human flesh. Sounds great right? That's what I thought when I sat down to watch this low-budget affair. Little did I know that what I was actually in for with Bad Meat was 90 minutes of sheer boredom and confusion.
What I found most interesting about this production was the pretty decent cast involved; Mark Pelligrino, Dave Franco, Tahj Mowry and Jessica Parker Kennedy to name but a few. All of the aforementioned cast are well known for different productions, indeed some, like Dave Franco, seem to be current flavours of the month, but this film (albeit only 3 years old) seems to have captured them all pre-fame and during a period where over-acting is the phrase that pays!
None of the cast are particularly likeable, so from the get-go you find you cannot root for anyone's survival. As previously mentioned, the acting is pretty poor across the board. For long periods of time very little actually happens (despite people dying/getting infected with goodness knows what (the reason for the bad meat is never explained)/monsters on the loose) half the characters sit around and chat and if they're not doing little they simply seems to wander round, nonchalantly walking into any room without a care for what may lie behind the closed doors.
Characters disappear with little to no explanation and the rest of the group simply carry on without worrying what has happened, the filmmakers rightly deciding that the viewing public will care little about them so why make a big deal of it in the film. By now you're probably thinking "Well, at least things can't get any worse" - Ha! How wrong you could be! Just when you think that you've devoted an hour and a half of your life to this tripe that you may as well see it out until it's conclusion, the film suddenly just ends, with no explanation as to what happened to the 5 or 6 characters that were left just a few seconds before. The director simply attempts (very badly I might add) to thrown in a 'surprise' ending and the film fades to credits and we, the viewers, are left feeling that watching that wet patch of paint on the wall drying might have been the better option after all ...
Excuse the early posting this week, am away this weekend so wanted to get this out there now! Enjoy!
Donald (Jackie Vernon) is sick and tired of eating the gourmet crap his wife, May, insists on cooking for him each day. Whilst his work colleagues eat cheese and baloney sandwiches, Donald has fresh prepared crab. He's had enough. All he wants is normal food but his wife, and her new microwave, continue to churn out the hated posh food until one day Donald snaps and batters May to death. Chopping her up and placing the bits into his freezer, Donald is finally free from the posh nosh ... but he then gets a surprise when he accidentally eats a piece of May; the surprise being that he actually rather enjoys what he eats! So begins the Microwave Massacre ...
This 1980's straight-to-video horror/comedy (I really don't know how to label it, to be a horror it should at least have some horror in it; to be a comedy, it should really contain some funny moments!) is everything you expect from the lowest end of movie production from a period when anyone with a camera could produce a film and get it distributed via the all new medium of home video.
The script is slow and jumpy, often moving from one main plot point to the next with little to no explanation (the ending even requires one of the actors to explain to the audience what just happened in case they missed it!), the acting is pretty terrible across the board and it seems that whoever was in charge of the boom used this film as an opportunity to feature it in every other scene! There is the typical helping of 80's video-crap nudity to try and titilate the, no doubt, bored audience but even the natural 80's breasts on show don't make this a watchable film (except perhaps for the lovely Marla Simon, in her only film role as The Knothole Girl). The one thing that perhaps pulls this movie out from the mire it otherwise finds itself in is that no-one in this film takes themselves, the script on any other aspect seriously, which does allow for an obvious tongue-in-cheek nod and wink to the audience, however even this self-aware jocularity wears thin very quickly and we're soon left hoping the characters start taking things seriously again just to get to the end of the film a little quicker.
Microwave Massacre is certainly not the sort of film you'll be able to pick up from your local video store (oops, came over all 80's there for a minute!) but if you ache for 80's video nonsense and an 'anyone can make a movie' attitude, then you might at least want to hunt this down for nostalgia values alone, otherwise I suggest living in blissful ignorance that the worst that can come out of a microwave is a Tesco Lasagne for one.
Harking back to the 70's and 80's anthology films (Creepshow, Amicus' Asylum etc), V/H/S is the story of a group of young troublemakers who make their way to a seemingly empty house to find and steal a video tape. On arrival at the house they discover a dead body surrounded by video tapes and 'snow' filled monitors and proceed to search through the pile of tapes and around the rest of the house to find the one tape they had been sent to find. As the rest of the group search the attic and basement, a few stay behind and play some of the tapes which we the audience then get to see the content of. The whole thing is shot Blair Witch-style with hand-held cameras and every story is therefore seen through the point-of-view of the camera holder. This oft-used technique has proved rather hit-or-miss of late and is one which has to be done very well to succeed otherwise it just leaves the viewer with a headache and motion sickness.
I came away from this film with some fairly mixed feelings. The framing story (the search for the allusive VHS tape) really serves no purpose than to allow the introduction to each of the mini-stories in between and wasn't all that scary or enjoyable as a stand-alone piece. The five mini-stories range from average to down-right terrifying and thoroughly enjoyable and are detailed as such below:
The first tale of five concerns 3 friends who are planning to hit the town and bring back an unsuspecting woman to help them film their own porn film. One of the guys (the most reluctant of the three) is wearing a pair of glasses with a camera built into them (I like the fact that this is filmed at a time when glasses cams exist, but everything is still stored on VHS ... anyway) to capture the sordid event as it takes place. After visiting a few bars, they end up in a club where they pick up 2 girls; one loud and very drunk, the other very shy and quiet and take them back to their hotel room. They very soon realise that this was a big mistake and, as they always say about murderers on the news 'it's always the quiet ones you have to watch!'.
In my opinion, Amateur Night is the best of the five films. It's tense, pretty scary at times, beautifully acted (especially by the amazing Hannah Fierman) and has some moments of beautifully terrifying effects which will leave you shocked and amazed that the film's creators could create something so well made with what must have been a small budget. The major down side to this segment is that it's difficult to see any of the other sections matching up to this furious beginning and, sadly, for the most part, they don't.
Second Honeymoon follows Sam and Stephanie as they travel on vacation, staying at a hotel at night and visiting sites during the day. In my opinion this was the weakest of the five stories. There are one or two creepy moments in the hotel room but other than that it falls pretty flat. Even the twist ending doesn't do much to save this vignette and will probably be quickly forgotten by most viewers.
Tuesday the 17th
A ridiculous title and an obvious nod to what is to come, as 4 young people (a jock, a geek, a sexy blonde and a quiet dark haired girl) head out to a remote spot in the woods to swim in the lake and get high. A tale is told of a killer who once lurked in the woods and was never caught and, slowly but surely, each of the teens are picked off one by one. This section is very much filmed in a tongue-in-cheek style and actually has a few decent gore effects but still falls fairly flat out of the pack.
The Sick Thing That Happened To Emily When She Was Younger
The fourth section of the movie and personally, my second favourite after Amateur Night. A young girl has a number of Skype conversations with her lover who lives in another State. She tells him that she is hearing strange noises during the night and thinks her apartment might be haunted. She has a strange lump in her arms and feels something under her skin. We watch as she Skype calls him each evening and takes him (and us) around her apartment as she hears strange noises.
This section was very much in the Paranormal Activity vein, with many of the same scare techniques, but despite its obvious nod to PA, it still works well. The Emily character is played beautifully by Helen Rogers and we feel her fear as she becomes more obsessed with the noises she hears.
I must admit that the only bit that lost me was the very end of the segment where the director has added a super-twist, but it was obviously over this reviewer's head. It only made sense after going away and reading about the scene and then re-watching. I'm pretty sure I'm not the only one who didn't get it, but on further reading, it suddenly becomes clear and is actually a clever ending.
That's the date of Halloween, for any non-American readers! 4 lads, in fancy dress (one with a NannyCam in his costume!?) go to a house for a Halloween party but somehow end up at the wrong address and stumble upon a Cult sacrifice.
This final segment begins a little slowly but very quickly all hell breaks loose and some terrifying and clever effects are used to show the arriving demons. Although this segment wasn't the best, its use of effects goes some way to redeeming it and allows the sections to end on a semi-high.
Overall, I would say that V/H/S really works because of 2 or 3 of the sections standing out and being far better than the rest of the film. As an idea, it's clever and interesting and must have been successful as V/H/S 2 followed soon after (not seen yet, but will watch and review shortly). Is it worth watching? I have to say yes, mainly for the Amateur Night and Emily sections which pull the film to a whole new level. As far as the overall production goes, as a low-budget indie production, it's one to put on the list for a dark night if you're after some good scares and some silly low budget bloodshed.